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Live production

Simulcasting: one show, every platform.

Streaming to LinkedIn, YouTube, your website and the event platform at the same time — how it's done, what each destination wants, and what it does to your interaction and analytics.

3 min read · Updated September 2026

Public-facing events increasingly want to meet the audience where it already is: on LinkedIn for the professional crowd, YouTube for reach, the company website for control, plus the registered-attendee platform. Sending one production to all of them at once is simulcasting, and it's straightforward if you plan for the differences between destinations.

Two ways to do it

A restreaming service takes one stream from your encoder and fans it out to every destination from the cloud. One upload from the venue, one point of failure, easy to manage. Multiple encoders (or multiple outputs from the production software) send independent streams to each platform — more upload bandwidth needed, but no third-party dependency and per-destination control of quality. We generally use a restreamer for social destinations and a direct, independent stream to the primary platform, so the primary doesn't share the social channels' risk.

What each destination expects

Platforms differ in accepted resolutions, bitrates, keyframe intervals, aspect ratios and whether they need a scheduled event created in advance with its own stream key. Some require the stream to start minutes before "going live" to warm up; some auto-end after a period of silence. Build a destination sheet with the settings and keys for each, and test every one in the tech run — a stream key pasted wrong is the classic simulcast failure.

Content and rights

Music is the trap. Licensed music that's fine on your own platform will get a stream muted or taken down on social platforms with automated rights detection. Use cleared library music for anything simulcast, and keep the awards-show playout of a chart hit for the room only.

Interaction across platforms

Each destination has its own comments and chat. Either aggregate them (many restreamers and moderation tools pull all comments into one view for the moderator) or decide that interaction only lives on the primary platform and say so on screen. Polls and Q&A almost always stay on the primary platform; social viewers are told where to go if they want to take part.

Analytics

You'll get separate numbers from every platform, measured differently. Agree in advance how you'll combine them — peak concurrent across platforms, total unique viewers where the platform provides it, watch time — and note that social platforms count a "view" after a few seconds. The metrics guide covers how to report honestly.

Bandwidth

Direct multi-encoder simulcasting multiplies your upload requirement by the number of destinations. A restreamer keeps it at one stream. Either way, run the bandwidth calculator with the real number of outputs.

Checklist

  • Destination sheet: settings, stream keys, scheduled events, go-live lead times.
  • Music cleared for every platform.
  • Every destination tested in the tech run, watched on a phone.
  • Moderation plan for each platform's comments.
  • Analytics definitions agreed before the show.
VSE

Written by the Virtual Studio Events production teamJames Jones and Ben O'Dwyer have 40+ years combined in live event production and have run broadcasts for the BBC, ITV, Waitrose, Morrisons, John Lewis and the UK's leading production companies since 2020.

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