For production managers, technical directors and agency producers running a conference, town hall or awards with a room audience and an online one. Work down it at the production meeting at eight weeks, then pick it up again at each stage of the timeline.
What it catches
- The three-suppliers problem: venue AV, streaming crew and platform team each assuming another owns the gap between room and screen.
- A slide feed that is a camera pointed at a projector.
- Remote speakers who have never heard the room, or a room that cannot hear them.
- A backup path that nobody has tested in the building.
- Recordings that exist on one drive only.
How to adapt it
The eight-week sections assume a multi-room or multi-camera show. For a single-room event with a vMix operator and one speaker at a time, merge the two early sections and drop the line items you have already answered. Put a name against every line at the production meeting. A line with no name next to it is the one that fails. Keep the same list for the next event, and amend it after the post-event review.
It follows our hybrid event guide, so the terms match.
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Open the watermarked preview (PDF)Rather we did the paperwork?
Send the client brief and floorplan to Production Office and get back the kit list, signal flow, crew plan and schedule, checked by a broadcast engineer, with nothing of ours on it.
