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Pre-production & planning

Rehearsals: test the show, then break it on purpose.

What a proper technical rehearsal covers, how long it takes, and the failure drills most events skip.

3 min read · Updated September 2026

"We'll do a quick run-through at nine" is how most virtual events rehearse, and it's why so many go wrong at ten. A proper rehearsal is three distinct activities with different goals, and each catches different problems.

The tech run: does everything connect?

This happens the day before, or first thing on show day for simpler events. Every source is brought up in turn: each camera, each playback item, each remote contributor, each screen-share, each graphic. Audio is checked on every route — room, stream, remote returns. The stream is started to a private test destination and watched on a phone over mobile data, not on the gallery monitor. Nobody performs; the goal is purely to prove every path works.

The dress rehearsal: does the show flow?

Now the run order is followed top to bottom in real time, with presenters. Transitions are the point — the handover from a VT back to a live presenter, the moment a remote speaker is brought in, the poll launch. Timings are checked against the run order and buffers adjusted. For a 90-minute show, budget two hours; overruns in rehearsal are information, not failure.

The failure drill: what happens when it breaks?

This is the one events skip, and it's the one that separates crews. During the dress run, the producer deliberately kills things: the primary encoder is stopped, a remote speaker's link is dropped, a playback file is "missing". The team practises the response — switch to the backup encoder, bring up the holding slide, go to the alternative item — until it's boring. On the day, a real failure then becomes a rehearsed cue rather than a crisis.

Remote speakers: individual checks, then a group check

Each remote contributor gets a one-to-one technical check in the days before (see speaker prep). On show day they join 30 minutes before their slot for a line check — audio, picture, return feed — and then wait in the green room. Panels with multiple remote speakers get a group check together, because the problems (talking over each other, latency, who looks at what) only appear in combination.

Platform go-live rehearsal

If you're using an event platform, rehearse the audience's experience, not just the broadcast: log in as a delegate, find the session, watch the stream, submit a question, answer the poll. Corporate networks block things; discover it on Tuesday, not on the morning.

A rehearsal schedule that works

WhenWhatWho
7–10 days outRemote speaker one-to-one checksSpeaker wrangler, each speaker
2–3 days outPlatform walkthrough as a delegateProducer, client
Day before (or −3h)Tech run: every source, every route, test streamFull crew
Day before (or −2h)Dress rehearsal with failure drillsFull crew, presenters
−30 minLine checks, holding loop live, comms checkFull crew, remote speakers

A rehearsal that finds nothing wrong was either perfect or too gentle. Usually the second.

VSE

Written by the Virtual Studio Events production teamJames Jones and Ben O'Dwyer have 40+ years combined in live event production and have run broadcasts for the BBC, ITV, Waitrose, Morrisons, John Lewis and the UK's leading production companies since 2020.

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