Set design for camera: build for the lens, not the room
A stage that wows the delegates in the hall can look like a flat wall on a stream. The principles that make a set work through a camera.
LED wall, green screen or built set? The honest comparison
Three ways to put something behind a presenter, three very different budgets and risks. Which one suits your event.
Lighting for camera: why the room looks bright and the stream looks dull
A camera needs more, softer, better-placed light than a human eye. The three-point setup, colour temperature, and the fixes for the problems you'll actually see.
Graphics: the branding the camera can't see
Lower thirds, holding slides, stings and overlays — the graphics package that makes a stream look like a broadcast, and how to brief one.
Presenting to camera: a room of one
Executives who command a conference hall often freeze in front of a lens. How to set presenters up to look natural, read well and take direction on a streamed event.
Pre-production & planning
Run orders, speaker prep, rehearsals, redundancy, budgets and accessibility.
02Streaming infrastructure
Connectivity, encoders, cloud production, remote contribution, audio and delivery.
04Live production
Gallery roles, comms, live interaction, hybrid delivery and recovery playbooks.
05Platforms & registration
Platform comparison, feature checklists, registration, data and engagement.
06Analytics, ROI & after the show
Metrics, ROI, on-demand and repurposing, post-event reporting.